Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, soluble crayon, acrylic, conte crayon and pastel on white paper.
Signed and dated on reverse.
Amalfi Series, The Coastal Mountains on the Way to Capri
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Amalfi Series, The Amalfi Coast with The Lattari Mountains Behind
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, soluble crayon, acrylic, conte crayon and pastel on white paper.
Signed and dated on reverse.
View out into the Countryside, The Chiltern Hills
Mixed media: graphite, soluble crayon, acrylic, conte crayon and pastel on white paper.
Signed and dated on reverse.
L1014, Winter Landscape, The Chiltern Hills
24 x 13cm. 2017. Mixed media: graphite, colour pencil, soluble crayon, acrylic, conte crayon and pastel on white paper. Signed and dated on reverse.
Landscape L1013 (and below: detail of left hand side)
A Group of Trees on Rising Ground
Mixed media: graphite, colour pencil, soluble crayon, acrylic, conte crayon and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Delighted to have four works pre-selected for the Royal Society of British Artists Open 2017. All are from my Lake Garda Series. Fingers crossed at least one might get through final selection and into the exhibition next year!
Lake Garda Series, Bay of Salò Looking Towards Monte Livino (L931)
Lake Garda Series, The Coast Near Salò (L926)
Lake Garda Series, The Western Shoreline (L924)
Lake Garda Series, Looking North Across the Bay of Salò (L917)
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Sharpenhoe Series, Looking Across the Bedfordshire Countryside, The Chiltern Hills
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Sharpenhoe Series, The Chiltern Hills
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
I have just put my revised website live. The design is simple and there are selected new mixed media works for the Sharpenhoe Series and Lake Garda Series. It is at http://www.nicholasherbert-drawings.co.uk I hope it will be seen as an improvement and easier to navigate! Thank you to all who follow me and support my work. I appreciate it very much. Best, Nicholas.
Best, Nicholas.
18 x 13cm. 2016. Mixed media: graphite, soluble crayon, pastel and acrylic on white paper. Signed and dated on reverse.
20 x 13cm. Mixed media: graphite, soluble crayon, chalk and acrylic on white paper. Signed and dated on reverse. 2016
20 x 13cm. Mixed media: graphite, soluble crayon, chalk and acrylic on white paper. Signed and dated on reverse. 2016
20 x 13cm. Mixed media: graphite, soluble crayon, chalk and acrylic on white paper. Signed and dated on reverse. 2016
18 x 13cm. Mixed media: graphite, soluble crayon, chalk and acrylic on white paper. Signed and dated on reverse. 2016
13 x 18cm. Mixed media: graphite, soluble crayon, chalk and acrylic on white paper. Signed and dated on reverse. 2016.
18 x 13 cm. Mixed media: graphite, soluble crayon, chalk and acrylic on cream Fabriano paper. 2016. Signed and dated on reverse
Mixed media: graphite, soluble crayon and acrylic on white paper. 2016. Signed and dated on reverse
Mixed media: crayon, coloured pencil, graphite and pastel on white paper, April 2013.
A sketch of a solitary copse of trees in a field in the Chiltern Hills made in early April, while the weather was still dull and wintry. I will post some more small sketches in the next week. A big thank you to all who follow me and thanks to all who give me insights into their own work and such pleasure and inspiration through what they share in return. Nicholas.
Residual Trace 2013 – III
This is an iPad generated image that I produced a while back to help me in developing my drawing practice direction. The drawing on my ‘About’ page is made using coloured pencils and crayon (neocolorII) and is part of my very latest work in conventional media that has directly come out of this. The ‘Residual Trace Series’ was a body of work that I first started adding to in the mid nineties. I’m fascinated by what we leave behind us, how we extrapolate ideas of the past from what we see of the past through what little is left to us. My return to the residual trace series in a slightly new way, signals my intended transition back to more abstract works in the future. The drawing below of a Tuscan landscape of fields was a precursor to all of these.
Tuscan Landscape – 2, 2012
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Drawings, Paintings & other Art 