Landscape L1013 A Group of Trees on Rising Ground – Nicholas Herbert, 2017.

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Landscape L1013 (and below: detail of left hand side)

A Group of Trees on Rising Ground 

29 x 18cm. 2017. 

Mixed media: graphite, colour pencil, soluble crayon, acrylic, conte crayon and pastel on white paper. 
Signed and dated on reverse.

Landscape L1013 A Group of Trees on Rising Ground – Nicholas Herbert, 2017.

Landscape L1010 Landscape with Trees and a Wooded Hill – Nicholas Herbert, 2017.

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Landscape L1010
Landscape with Trees and a Wooded Hill 

26 x 14cm. 2017. 

Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper. 
Signed and dated on reverse.

Landscape L1010 Landscape with Trees and a Wooded Hill – Nicholas Herbert, 2017.

Landscape L1008 Trees Edging a Field, The Chiltern Hills – Nicholas Herbert, 2017.

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Landscape L1008
Trees Edging a Field, The Chiltern Hills 

18 x 13cm. 2017. 

Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper. 
Signed and dated on reverse.

Landscape L1008 Trees Edging a Field, The Chiltern Hills – Nicholas Herbert, 2017.

Landscape L996 Winter Landscape near Telegraph Hill, The Chiltern Hills – Nicholas Herbert 2017.

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Landscape L996
Winter Landscape near Telegraph Hill, The Chiltern Hills. 

18 x 13cm. 2017. Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper. Signed and dated on reverse.
Landscape L996 Winter Landscape near Telegraph Hill, The Chiltern Hills – Nicholas Herbert 2017.

Landscape L987 Lake Garda Series, Looking North Towards Monte Brione and Riva del Garda – Nicholas Herbert. 2016.

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Landscape L987, Lake Garda Series, Looking North Towards Monte Brione and Riva del Garda 
26 x 16cm. 2016. Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper. Signed and dated on reverse.
Landscape L987 Lake Garda Series, Looking North Towards Monte Brione and Riva del Garda – Nicholas Herbert. 2016.

Lake Garda Series

Delighted to have four works pre-selected for the Royal Society of British Artists Open 2017. All are from my Lake Garda Series. Fingers crossed at least one might get through final selection and into the exhibition next year!

Lake Garda Series, Bay of Salò Looking Towards Monte Livino (L931)
Lake Garda Series, The Coast Near Salò (L926)
Lake Garda Series, The Western Shoreline (L924)
Lake Garda Series, Looking North Across the Bay of Salò (L917)

Lake Garda Series

Landscape L985 Lake Garda Series, Monte Pizzocolo and Monte Castello – Nicholas Herbert 2016.

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Landscape L985, Lake Garda Series, Monte Pizzocolo and Monte Castello 

26 x 16cm. 2016. 

Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper. 
Signed and dated on reverse.

Landscape L985 Lake Garda Series, Monte Pizzocolo and Monte Castello – Nicholas Herbert 2016.

Landscape L983 Lake Garda Series, Looking Across the Lake from Torbole – Nicholas Herbert 2016.

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Landscape L983, Lake Garda Series, Looking Across the Lake from Torbole 

26 x 14cm. 2016. 

Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper. 
Signed and dated on reverse.

Landscape L983 Lake Garda Series, Looking Across the Lake from Torbole – Nicholas Herbert 2016.

Landscape L931 Lake Garda Series, Bay of Salò Looking Towards Monte Livino – Nicholas Herbert 2016.

 

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Landscape L931, Lake Garda Series, Bay of Salò Looking Towards Monte Livino 

26 x 14cm. 2016. 

Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper. 
Signed and dated on reverse.

Landscape L931 Lake Garda Series, Bay of Salò Looking Towards Monte Livino – Nicholas Herbert 2016.

Nicholas Herbert – Landscape L978 Sharpenhoe Series, Field Edged with Trees Near Telegraph Hill, The Chiltern Hills

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Landscape L978
Sharpenhoe Series, Field Edged with Trees Near Telegraph Hill, The Chiltern Hills

18 x 13cm. 2016. 

Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.

Nicholas Herbert – Landscape L978 Sharpenhoe Series, Field Edged with Trees Near Telegraph Hill, The Chiltern Hills

Landscape L972 Sharpenhoe Series, Cornfields South Bedfordshire, The Chiltern Hills – Nicholas Herbert, 2016.

 

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Landscape L972
Sharpenhoe Series, Cornfields South Bedfordshire, The Chiltern Hills

20 x 13cm. 2016. 

Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.

Landscape L972 Sharpenhoe Series, Cornfields South Bedfordshire, The Chiltern Hills – Nicholas Herbert, 2016.

Landscape L970 Sharpenhoe Series, Beneath the Escarpment, The Chiltern Hills – Nicholas Herbert, 2016

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Landscape L970
Sharpenhoe Series, Beneath the Escarpment, The Chiltern Hills

22 x 14.9cm. 2016. 

Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.

Landscape L970 Sharpenhoe Series, Beneath the Escarpment, The Chiltern Hills – Nicholas Herbert, 2016

Landscape L969 Sharpenhoe Series, View into the Distance, The Chiltern Hills

 

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Landscape L969
Sharpenhoe Series, View into the Distance, The Chiltern Hills

20 x 15cm. 2016. 

Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.

Landscape L969 Sharpenhoe Series, View into the Distance, The Chiltern Hills

Landscape L968 Sharpenhoe Series, Looking Across the Bedfordshire Countryside, The Chiltern Hills

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Landscape L968

Sharpenhoe Series, Looking Across the Bedfordshire Countryside, The Chiltern Hills

20 x 15cm. 2016. 

Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.

Landscape L968 Sharpenhoe Series, Looking Across the Bedfordshire Countryside, The Chiltern Hills

Landscape L966 Sharpenhoe Series, The Chiltern Hills

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Landscape L966

Sharpenhoe Series, The Chiltern Hills

22 x 17cm. 2016. 

Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.

Landscape L966 Sharpenhoe Series, The Chiltern Hills

Landscape L965 Sharpenhoe Series, Cornfield Below the Sundon Hills Escarpment, The Chiltern Hills

 

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Landscape L965
Sharpenhoe Series, Cornfield Below the Sundon Hills Escarpment, The Chiltern Hills

20 x 15cm. 2016. 

Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.

Landscape L965 Sharpenhoe Series, Cornfield Below the Sundon Hills Escarpment, The Chiltern Hills

Landscape L964 Sharpenhoe Series, View From the Escarpment, The Chiltern Hills

 

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Landscape L964
Sharpenhoe Series, View From the Escarpment, The Chiltern Hills

18 x 13cm. 2016. 

Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.

Landscape L964 Sharpenhoe Series, View From the Escarpment, The Chiltern Hills

Landscape L963 Sharpenhoe Series, Cornfield, The Chiltern Hills

 

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Landscape L963
Sharpenhoe Series, Cornfield, The Chiltern Hills

26 x 15.5cm. 2016. 

Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.

Landscape L963 Sharpenhoe Series, Cornfield, The Chiltern Hills

Landscape L962 Sharpenhoe Series, A group of Trees and Fields, The Chiltern Hills

 

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Landscape L962
Sharpenhoe Series, A group of Trees and Fields, The Chiltern Hills

24 x 18cm. 2016. 

Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.

Landscape L962 Sharpenhoe Series, A group of Trees and Fields, The Chiltern Hills

Landscape L959 Sharpenhoe Series, View Across a Field to Trees, The Chiltern Hills

 

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Landscape L959
Sharpenhoe Series, View Across a Field to Trees, The Chiltern Hills

18 x 13cm. 2016. 

Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.

Landscape L959 Sharpenhoe Series, View Across a Field to Trees, The Chiltern Hills

Landscape L956 Sharpenhoe Series, View From the Path to Sharpenhoe, The Chiltern Hills

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Landscape L956
Sharpenhoe Series, View From the Path to Sharpenhoe, The Chiltern Hills

18 x 13cm. 2016. 

Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.

Landscape L956 Sharpenhoe Series, View From the Path to Sharpenhoe, The Chiltern Hills

Landscape L951, Sharpenhoe Series, Fields Below the Escarpment, The Chiltern Hills 

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18 x 13cm. 2016. 
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper. 
Signed and dated on reverse.
Landscape L951, Sharpenhoe Series, Fields Below the Escarpment, The Chiltern Hills 

Landscape L949, Sharpenhoe Series, Below the West Side of Sharpenhoe, The Chiltern Hills 

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20 x 15cm. 2016.
Mixed media: graphite, colour pencil, soluble crayon, acrylic and pastel on white paper.
Signed and dated on reverse.
Landscape L949, Sharpenhoe Series, Below the West Side of Sharpenhoe, The Chiltern Hills 

Revised Website Now Live

I have just put my revised website live. The design is simple and there are selected new mixed media works for the Sharpenhoe Series and Lake Garda Series. It is at http://www.nicholasherbert-drawings.co.uk I hope it will be seen as an improvement and easier to navigate! Thank you to all who follow me and support my work. I appreciate it very much. Best, Nicholas.

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mixed-media-landscapes-page-from-selected-works-2016Best, Nicholas.

Revised Website Now Live

Landscape L947, Sharpenhoe Series, View Across Fields, The Chiltern Hills.

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18 x 13cm. 2016. Mixed media: graphite, soluble crayon, pastel and acrylic on white paper. Signed and dated on reverse.

Landscape L947, Sharpenhoe Series, View Across Fields, The Chiltern Hills.

Landscape L931, Lake Garda Series, Bay of Salo, looking North. 2016.

L931-web

20 x 13cm. Mixed media: graphite, soluble crayon, chalk and acrylic on white paper. Signed and dated on reverse. 2016

Landscape L931, Lake Garda Series, Bay of Salo, looking North. 2016.

Landscape L930, Lake Garda Series, Malcesine to Limone Looking North to Monte Brione. 2016.

L930-web

20 x 13cm. Mixed media: graphite, soluble crayon, chalk and acrylic on white paper. Signed and dated on reverse. 2016

Landscape L930, Lake Garda Series, Malcesine to Limone Looking North to Monte Brione. 2016.

Landscape L929, Lake Garda Series, Monte Livino. 2016.

L929-web

20 x 13cm. Mixed media: graphite, soluble crayon, chalk and acrylic on white paper. Signed and dated on reverse. 2016

Landscape L929, Lake Garda Series, Monte Livino. 2016.

Landscape L928, Lake Garda Series, Tree on the Beach at Limone. 2016.

L928-web

18 x 13cm. Mixed media: graphite, soluble crayon, chalk and acrylic on white paper. Signed and dated on reverse. 2016

Landscape L928, Lake Garda Series, Tree on the Beach at Limone. 2016.

Landscape L911, Sharpenhoe Series, Looking North West to the Sharpenhoe Escarpment, The Chiltern Hills. 2016.

L911-web

 13 x 18cm. Mixed media: graphite, soluble crayon, chalk and acrylic on white paper. Signed and dated on reverse. 2016.

Landscape L911, Sharpenhoe Series, Looking North West to the Sharpenhoe Escarpment, The Chiltern Hills. 2016.

Landscape L909, Sharpenhoe Series, The Chiltern Hills. 2016.

L909-web

18 x 13 cm. Mixed media: graphite, soluble crayon, chalk and acrylic on cream Fabriano paper. 2016. Signed and dated on reverse

Landscape L909, Sharpenhoe Series, The Chiltern Hills. 2016.

Landscape L904, Sharpenhoe Series, The Chiltern Hills. 2016.

L904-web

Mixed media: graphite, soluble crayon and acrylic on white paper. 2016. Signed and dated on reverse

Landscape L904, Sharpenhoe Series, The Chiltern Hills. 2016.

Landscape Sketch in the Chiltern Hills Early April 2013

Landscape Sketch April 2013 - 1

Mixed media: crayon, coloured pencil, graphite and pastel on white paper, April 2013.

A sketch of a solitary copse of trees in a field in the Chiltern Hills made in early April, while the weather was still dull and wintry. I will post some more small sketches in the next week. A big thank you to all who follow me and thanks to all who give me insights into their own work and such pleasure and inspiration through what they share in return. Nicholas.

Landscape Sketch in the Chiltern Hills Early April 2013

Residual Trace – Developing Work

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Residual Trace 2013 – III

This is an iPad generated image that I produced a while back to help me in developing my drawing practice direction. The drawing on my ‘About’ page is made using coloured pencils and crayon (neocolorII) and is part of my very latest work in conventional media that has directly come out of this. The ‘Residual Trace Series’ was a body of work that I first started adding to in the mid nineties. I’m fascinated by what we leave behind us, how we extrapolate ideas of the past from what we see of the past through what little is left to us. My return to the residual trace series in a slightly new way, signals my intended transition back to more abstract works in the future. The drawing below of a Tuscan landscape of fields was a precursor to all of these.

Tuscan Landscape – 2,  2012

Drawing Tuscan Landscape II

 

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Residual Trace – Developing Work